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This style is exemplified in "Hey Little Girl", a very relaxed, introspective song which reflects the overall tone of the album punctuated by the heavier "Glam" and the more dance based "Mysterious Thing". Primitive Man represented a slight departure from earlier material and a move from the more rock based style of their first album to the synth based, more atmospheric albums such as Sidewalk and Measure for Measure. In 1996, Icehouse released a compilation album called Love in Motion on dIVA / Massive Records, which contains "Love in Motion" but does not have any material from the original Australian release of Primitive Man.
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Īfter the United Kingdom top 20 chart success of " Hey Little Girl" the album was re-released as Love in Motion in 1983 and contained the same tracks in different order except "Break These Chains" being replaced by "Love in Motion" the alternate cover work was a still from the Russell Mulcahy directed video for "Hey Little Girl" (see infobox below right). To promote Primitive Man on tour, Davies re-assembled Icehouse with Michael Hoste (keyboards) and John Lloyd (drums), and new members: Bob Kretschmer (guitar, backing vocals), Guy Pratt (bass guitar, backing vocals) and Andy Qunta (keyboards, backing vocals). Another single " Great Southern Land" made the Australian top 5, it was later featured in the 1988 Yahoo Serious film Young Einstein, and remains their most popular song according to listeners of Triple M in 2007. Released as an Icehouse album, Primitive Man reached number 3 on the National album charts and provided their international breakthrough single, " Hey Little Girl", which peaked at number 7 in Australia, number 2 in Switzerland, number 5 in Germany, the top 20 in UK, Sweden and Netherlands, and number 31 on the US Billboard Mainstream Rock chart. Forsey supplied additional percussion Davies supplied vocals, lead guitar, keyboards ( Sequential Circuits Prophet-5), bass guitar and programmed the Linn drum machine. In January 1982, Icehouse founder Iva Davies started recording Primitive Man essentially as a solo project, it was co-produced with Keith Forsey who later worked with Simple Minds and Billy Idol. Only time will tell if Lloyd can match the long-term success of Usher, R&B’s reigning boy-wonder-turned-crown-prince, but even if Lloyd were to disappear tomorrow he’d be remain in the memory of untold millions of unrequited crushes, first kisses, and slow dances.Primitive Man is the second studio album by Australian synthpop band Icehouse, released in September 1982. All of Street Love is designed to put a little heat under your collar, but the burning, breathless “What You Wanna Do” is enough to make even the coldest old maid feel like she’s caught up in some forbidden dancefloor grind. Other highlights include “Get It Shawty,” a spare and hypnotic club track that slyly incorporates the chorus from Technotronic’s 1989 staple “Pump Up the Jam,” and “One For Me,” a halftime ballad that is a perfect balance between the sensitive and the seductive. The smash hit “You” is about a player changing his ways for the love of a girl, but when Lloyd sings the refrain - “Can I be your friend? / This is how I feel / I’m in need of love” - he sounds as melted by his own emotions as the girls do by his mellifluous voice. The other part is that Lloyd sings every song with a desire that is all-encompassing and absolutely sincere. Part of it is that the 21-year-old Lloyd sounds like a teenager: his fragile, yearning voice has more than little in common with Michael Jackson at his most tender. has a voice that captures the overwhelming rush of teenage love better than any other current r’n’b singer. New Orleans native Lloyd Harlan Polite Jr.